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Bastar The Naxal Story box office collection day 3: Earns ₹90 Lakh, Falls Short of Expectations

Bastar: The Naxal Story,” directed by Sudipto Sen and produced by Vipul Amrutlal Shah, continues to make waves at the box office, albeit not as robustly as its predecessor, “The Kerala Story” (2023). Despite its compelling narrative surrounding the Naxal insurgency in Chhattisgarh’s Bastar district, the film’s earnings are trailing behind expectations.

Following its debut, “Bastar: The Naxal Story” has elicited varied reactions from both viewers and reviewers. While its subject matter delves into the intricate layers of the battle against Naxalism, some feel that the film falls short of fully exploring the complexities inherent in such conflicts.

The film stars Adah Sharma in the lead role of an IPS officer, portraying the challenges and dilemmas faced in combating Naxal violence. Sudipto Sen, who previously directed “The Kerala Story,” brings his directorial prowess to shed light on the human tragedies amidst the chaos of insurgency.

On its opening day, the film collected ₹40 lakh, followed by ₹75 lakh on the second day. Despite a slight increase in earnings, with ₹90 lakh on its third day, the film’s cumulative box office collection stands at just over ₹2 crore net in India. This figure pales in comparison to the staggering ₹16 crore amassed by “The Kerala Story” within the same timeframe.

Critical reviews of “Bastar: The Naxal Story” reflect a similar sentiment of appreciation for its patriotic fervor and commitment to portraying the sacrifices of those embroiled in the conflict. However, there’s a consensus that the film shies away from delving deep into the nuanced shades of its narrative, leaving it somewhat incomplete.

The sentiment, describing “Bastar” as a stark reminder of the complexities surrounding Naxalism. While commendable for its portrayal of human suffering amidst violence, the film is criticized for its reluctance to confront the grey areas within its storyline.

Director Sudipto Sen views the film as a “human document,” focusing on the lives of ordinary people grappling with everyday violence. He emphasizes the film’s exploration of gun violence and its impact on communities caught in the crossfire.

Producer Vipul Amrutlal Shah echoes this sentiment, emphasizing the film’s focus on human tragedy over political discourse. He stresses the importance of bringing the real struggles of common people to the forefront, beyond the realm of political rhetoric.

In essence, “Bastar: The Naxal Story” stands as a poignant portrayal of a region plagued by insurgency, yet it falls short of fully capturing the complexities and nuances inherent in its subject matter. Despite its shortcomings, the film serves as a reminder of the enduring human spirit amidst adversity, urging audiences to confront the harsh realities faced by those living amidst conflict.

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